Planet of the ApesBilled as a "reimagining" of the original 1968 film, Tim Burton's extraordinary Planet of the Apes constantly borders on greatness, adhering to the spirit of Pierre Boulle's original novel while exploring fresh and inventive ideas and paying honorable tribute to the '68 sci-fi classic. Burton's gifts for eccentric inspiration and visual ingenuity make this a movie that's as entertaining as it is provocative, beginning with Rick Baker's best-ever ape makeup (hand that man an Oscar?!), and continuing through the surprisingly nuanced performances and breathtaking production design. Add to all this an intelligent screenplay that turns Boulle's speculative reversal--the dominance of apes over humans--into a provocative study of civil rights and civil war. The film finally goes too far with a woefully misguided ending that pays weak homage to the original, but everything preceding that misfire is astonishingly right.
While attempting the space-pod retrieval of a chimpanzee test pilot, Major Leo Davidson (Mark Wahlberg) enters a magnetic storm that propels him into the distant future, where he crash-lands on the ape-ruled planet. Among the primitively civilized apes, treatment of enslaved humans is a divisive issue: senator's daughter Ari (Helena Bonham Carter) advocates equality while the ruthless General Thade (Tim Roth) promotes extermination. While Davidson ignites a human rebellion, this conflict is explored with admirable depth and emotion, and sharp dialogue allows Burton's exceptional cast to bring remarkable expressiveness to their embattled ape characters, most notably in the comic relief of orangutan slave trader Limbo (played to perfection by Paul Giamatti). Classic lines from the original film are cleverly reversed (including an unbilled cameo for Charlton Heston, in ape regalia as Thade's dying father), and while this tale of interspecies warfare leads to an ironic conclusion that's not altogether satisfying, it still bears the ripe fruit of a timeless what-if idea. --Jeff Shannon
Beneath the Planet of the ApesThe second--and most horrifying--of the five Planet of the Apes movies, this film goes where few end-of-the-world movies ever dare tread. It's the far future. The mass of humanity has descended into speechless savagery, kept as captive animals by the talking apes who have inherited the world. Two astronauts from our time have landed here, retracing the path of their lost comrade, Captain Taylor (Charlton Heston). Unfortunately, they've landed in the middle of a grim situation. Warlike gorillas are preparing to eliminate the last shards of shattered human civilization, a degenerate, subterranean cult worshipping the greatest of all human achievements--the cobalt bomb. As well as rescuing Taylor, the two men have to stop the gorillas from wiping out humanity ... and stop humanity from fulfilling their self-appointed, self-destructive destiny. This is both thrill-a-minute science fiction and a surprisingly deep reflection on the human condition. Plus, it's got lots of guys in really keen ape suits. --Grant Balfour
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BEAUTY AND THE BEAST:DIAMOND EDITION - Blu-Ray Mov
BEAUTY AND THE BEAST:DIAMOND EDITION - Blu-Ray Mov
THE SON OF A VIRTUAL WORLD DESIGNER GOES LOOKING
Can anything keep Captain Jack Sparrow down? Well, as long as Johnny Depp plays the offbeat pirate of the high seas, as he does in Pirates of the Caribbean: On Stranger Tides, the answer is "Not bloody likely, mate!" This fourth installment of the Pirates franchise is jolly good fun--nearly as good as the first one, in fact. The writing is crisp, the action amazing--and there's the addition of a foe finally the match of Captain Jack: Ian McShane as the dreaded, and dreadful, Blackbeard. McShane seems to be having as much fun as Depp, and that's saying something--channeling his dastardly character on Deadwood but keeping his epithets rated PG-13. Adding to the festivities is the winsome Penélope Cruz, as Angelica, a woman with a past entwined with Jack Sparrow's. Angelica now might be a fearsome pirate herself--or maybe just a cunning con artist tugging at Sparrow's heartstrings.